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No Ordinary Place
No Ordinary Place Read online
OTHER BOOKS
BY PAMELA PORTER
I’ll Be Watching,
Groundwood Books, 2011
This Awakening to Light,
Leaf Press, 2010
Cathedral,
Ronsdale Press, 2010
The Intelligence of Animals,
The Backwaters Press, 2008
Yellow Moon, Apple Moon,
Groundwood Books, 2008
Stones Call Out,
Coteau Books, 2006
The Crazy Man,
Groundwood Books, 2005
Sky, Groundwood Books, 2004
Poems for the Luminous World,
Frog Hollow Press, 2002
NO ORDINARY PLACE
Copyright © 2012 Pamela Porter
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without prior written permission of the publisher, or, in Canada, in the case of photocopying or other reprographic copying, a licence from Access Copyright (Canadian Copyright Licensing Agency).
RONSDALE PRESS
3350 West 21st Avenue
Vancouver, B. C., Canada V6S 1G7
www.ronsdalepress.com
Cover Design: Julie Cochrane
Ronsdale Press wishes to thank the following for their support of its publishing program: the Canada Council for the Arts, the Government of Canada through the Canada Book Fund, the British Columbia Arts Council, and the Province of British Columbia through the Book Publishing Tax Credit Program.
Library and Archives Canada Cataloguing in Publication
Porter, Pamela, 1956–
No ordinary place: poems/Pamela Porter.
Issued also in print format.
ISBN EPUB 978-1-55380-152-8
I. Title.
PS8581. O7573N6 2012 C811'.6 C2011-906411-1
for Rob, Cecilia
and Drew
from no ordinary place
do we come, and there
will we find each other again
ACKNOWLEDGEMENTS
Acknowledgment is gratefully extended to the following publications in which some of these poems first appeared: Arc, Cirque, CV2, FreeFall, Fiddlehead, Prairie Fire, Room, Tiferet, Vallum.
The poem “My Father’s Grief” won the 2010 Vallum Poetry Prize.
“A Table in the Wilderness” and “Like I Told You” first appeared in chapbooks published by Leaf Press, edited by Patrick Lane.
“Tenebrae” is the Latin word for “shadows.” The twelve anthems of the Tenebrae service are sung on Maundy Thursday in the Orthodox tradition as the congregation keeps vigil throughout the night, waiting for the light to return.
“The Night of My Conception” was inspired by Lorna Crozier’s two poems, “The Night of My Conception 1” and “The Night of My Conception 2,” from her volume of poems, What the Living Won’t Let Go. “The Restive Angel” was inspired by “What I Gave You, Truly” from The Apocrypha of Light.
“The Heart Is an Argument with Darkness” was inspired by Lorna Crozier’s series of poems taken from lines in Patrick Lane’s volume of poetry A Linen Crow, A Caftan Magpie. The lines used in this series are taken from A Linen Crow, A Caftan Magpie, and from Too Spare, Too Fierce.
I would like to thank Russell Thorburn for his help with the manuscript that became this book. His vision and intuitive logic are invaluable. Also, I wish to thank my fellow writers in the WayWords writing group, in the Ocean Wilderness and Honeymoon Bay retreats and at Planet Earth Poetry for their support and encouragement. Finally, with deepest gratitude I want to thank Lorna Crozier and Patrick Lane, my best and most beloved teachers and mentors.
AN OFFERING
Many bring food. Some carry flowers.
I’ve brought poems —
bouquets in profusion, armfuls,
a cacophonous disarray
the wind, magnanimous as a father,
sweeps into his arms,
petals strewn underfoot,
imprinted into mud, cleaved
to the soles of our shoes.
Many bring food. Others,
flowers. I’ve brought poems
for every season — of dreams born,
burning, broken, and the one
when, after protracted grief,
a scrap of melody begins
like a perilous grace —
dishevelled,
discordant as my frangible
offering, mud-smeared,
naked and tender and wanting.
Some bring food. It is
what they do at such times.
Others carry flowers.
I’ve brought you poems.
Branches, Early Spring
They had begun to whisper among themselves,
hesitant at first, but it was cold you see,
and had been months cold. They had begun
to whisper as the ice loosened and thinned
on the trough, as the moon’s startled face
rose above the blackened hills. I heard them
whisper, but did not know the moment
they began, or the precise dawn
in which they wakened from their stiff
and dreamless sleep. I know only
the horses bowed their heads to thatch,
I pushed the wheelbarrow toward the fence
where thin shoots blushed with colour, and higher,
the trees’ red sap set the sky on fire.
Blessing
To be blessed
said the leaf,
is to lie finished
in dark earth,
my edges starry
with frost.
To be blessed
said the branch,
is to stand naked
in winter sun,
my blood rushing gold
and singing.
To be blessed
said the gate,
is to be rusted open
so that all may pass:
deer, leaves, wind,
mice, God.
Begin Again
After lightning, after thunder broke
the darkness brooding over the sleeping houses,
after rain, in silence morning bloomed.
The grasses lay mudded, rose petals
littered the dirt, and in that quiet, a bird
tried her tentative song. The cat
set a paw outside the barn; the horses,
rumps shining, weary with running, stood steaming
as the sun, that minor god, peered
from behind the clouds
as if to make some proclamation.
Then the horses lowered their muzzles to the plain,
and it was the beginning of the world, again.
Cat
She’d come home at last
mewling all night on the porch,
runt bundle of wild
fright in her bones
from the owl
sweeping the dark,
and the uncouth cries
of her owlet young filling
the trees and the night
with the black bells
of their sound.
She’d come home,
some furred creature
swallowed up in her, but now
she’s had enough of wild,
the open mouth, needle teeth
of that life;
she has brought us
a strangeness riding
in her eyes: a sky
of dark cloud built up,
and the pelting rain.
Making a Life
And wind, always wind rolled over the land,
pulling the clouds thin and grey.
&nb
sp; We had to go out — in snow, in cold, no matter —
I lay the baby in her crib to let her sleep
or cry. Some part of the fence was down;
a deer, maybe, or one of the horses run into it
in the blizzarding dark, or the wind
had sheared it off, the post long rotted
but holding taut in the tension of barbed wire
until, like someone exhausted or dying,
it could no longer keep itself upright.
Wind watered my eyes, the razored barbs
cut my hands through gloves, the bleached
bones of grass bent with the weight
of snow. First we had to pull the rusted
staples out, then the wire off the post,
the hard wooden knot like a face
etched with pain. Then a new post to go in:
the pounding of the maul, my hands
holding the new post straight; I stood
unseeing but for a smear of colour, the tremble
in my bones when my husband hit it clean, each time
missing my hands, my wrists, the skin
exposed and fiery with frost. The chokecherry
beside the cattle guard bloomed with birds
feasting on the final fruit, one hawk
on the power line, patient and lonely,
our child in her crib and her dark hunger.
My prayer for her sleep. Then the wire, coiled
like a summer rattler, pulled snug with the claw
of the hammer I held in place, my feet braced
in snow hard as love, burrs catching on my socks,
sleet of tears stinging my face,
my hands just holding on, and my breasts
sudden with milk. And when we finished,
the birds scattering from the chokecherry,
we stepped into the house as her newborn wail
shattered the air, and I, stunned with cold
and crying, my breasts burning
and the milk coming down.
Window
Three years after I slipped back
into the world,
I lay and studied the morning bones
of my hands opening,
closing, my fleshy wings,
the house sunlit and silent as heaven.
A sudden bang, and I slid my feet
to the floor. A cardinal
had flown into the window, shattering
the dawn.
Light curled in sleep on the snow.
The bones of trees tapped at the frozen
waters of the sky.
My bald uncle was out in his ear-flap hat,
high-stepping in clumsy boots.
I breathed crystals onto the glass,
my palms pressing the thin
separation between us,
and watched his eyebrows turn to ash,
his gloved hand lift
the blood-red bird
motionless as the angels
in my Bible story book. Barefoot
in my flannel nightgown,
faced with death,
I never forgot the darkness
in its eyes, shining
with the last thing it had seen
before tumbling through
to the other side:
that veil
I still knew, and knew
would not let me back,
my loneliness fresh, the bruising
air of the world
stroking my strange new skin.
A Round, with Descant
My little soul, fluttering flame,
flies away when I sleep. She has
no fear of death, that dark ice
floating between the stars.
She holds her infinity close
and won’t let me see.
My little child who lives in me
lies awake each night
and does not sleep.
Her ear attends to nomad birds
crying in their bones,
the humming dust of heaven,
a voice behind the blackened moon
whispering
This is not your home.
My loneliness speaks
in the rivers of my veins, again
and again asking its name.
Remember,
I answer. Your name is remember,
it is mist in the dawn.
Your name, I say, is little sparrow
gleaning winter ground.
And my mother? My father?
They live deep in a forest
I have not yet found.
My mother sews dawn to the sun,
my father unrolls the fabric
of the sky. Together, they shake out
the light of summer, fold it over
and over in winter.
After half a century of walking,
I will cross a bridge
of fallen leaves to find them.
I will carry bread to them, the seeds
of stars, the worn shoes
of desire.
I will stroke their heads and say,
I am here now, little Mother,
I heard you call in dream, Father,
and I will place my tenderness
in jars ancient and jade.
When they sit down to the table
I will feed them from my hands,
reaching down
to the ripe fruit,
scraping each jar clean.
Another Word for Daughter
Another word for daughter
is remember.
Remember ripples the still waters of childhood.
Remember walks abandoned roads,
dust clinging to her shoes.
Another word for mother
is silence.
Silence tucks the sheets around the child’s bed.
Silence wanders in and out all the rooms of the house.
Other words for daughter
are stranger, and shadow —
the child wakens in the night and knows
she is a stranger
to those who sleep in the other rooms,
as remember and silence meet each other,
one on the top and one on the bottom stair.
Not even the geese know her, who pass in the sky
riding two long wings, their music
another word for poverty,
which echoes
through the shadowed chambers of her heart.
And another way to say heart
is to say, little drum beating
under the moon.
And another way to say moon
is to say, blue crayon circle
caught in night’s branches.
And another way to say night
is to say, remember —
the ruddied face of the moon
she reaches for,
a memory
of those who loved her
before she became human again,
snagged in the branches
of her bones, the radiant hum of heaven
dying in her ear.
Testimony
I knew then there were infinite possibilities.
The world was catching fire.
Leaves turned one by one to flame.
I saw my life clearly, in an instant:
I had travelled by train, the long scarf
of its smoke the colour of your hair.
Once, the conductor turned his head to look at me.
His eyes told me he knew.
I travelled by foot the rest of the way.
Someone else had planned this journey.
Someone knew what my life was for.
I am here now. This is my story.
Lift your head and I will tell it to you.
The Night of My Conception
This is the dream that has recurred
all my life. It is the farm
I love and long to return to
, and know
I cannot.
It is no place I can find in this life.
They are still young,
my mother, my father,
the trunk they carried off the ship
hunched and weary in a corner
of the cabin they built together.
The hearth logs lick the flames
of their desire,
her dress rumpled on the floor,
his hat hanging from a peg. In the loft
where I will sleep in the bed
he will make for me,
I hover, listening,
the night pregnant with stars,
the plow horses’ thunderous feet
quiet in their stalls,
the milk cow curled in the straw, all
waiting for the day I will reach out to them
with my curious hands.
Tonight there is a moon
in the window
of the barn. But I remain
with the mother and father I will love
even beyond this life.
Like the rain
before it reaches us, like music
before the first note is struck,
I am the pearl
that will gleam inside her,
I am their song of songs.
And when the bright egg
of the sun dawns,
I waken and rise, wondering
where in the world they are now,
certain I would know them
by the sound their hands make,
their quickening breath,